Just for fun, I decided to analyze my process by running to the computer lab during the model's breaks so I can scan the work in progress.
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1.Very faint lines, but accurate because I took my time. |
1. This first image is after about 30 minutes of work. I spent about 10 minutes on gesture drawings to get warmed up. This helps get me used to converting 3-D reality to a 2-D paper. Then, I switched to my 14" X 17" Bristol board, and started mapping out the figure. This involves making very light marks for all the "landmarks" like shoulders, knees, chin, heels, etc. I adjust and re-adjust til they are all in the right spot, often drawing imaginary lines to check for correct proportions and angles. Once I got it all down, I erased everything but the most basic, faint contour lines. Look closely, they're practically invisible!
2. Next, I started gradually blocking in major shadows, building them just as carefully and slowly as I did the contour lines. Notice I avoid working on the hands, feet, and face. This is intentional; I know they will be positioned slightly differently on day 2, so I'll wait until then to worry about the extremities. I want to make sure I place the highlights in just the right place, so that the shadows are balanced. (See Below)
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2. You can barely see the shadows, but they're there. |
3. For the last half hour of class, I deepened the shadows and strengthened the lines. I feel like I am at a good halfway point; the hard part is over (making sure everything is positioned correctly). Next class I can complete the extremities, refine the shading, and do just enough background to suggest a setting.
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3. This is about 2 hours of work. Halfway done! |
I can't believe this is my last figure drawing before the final critique.
I will update this post next week so I can show you the final product. Stay tuned!
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