DaapWorks!

My final thesis work is on display right now in the Reed Gallery!
Here's what I chose to show:
The piece to the left is the large (29" x 29") center panel of the triptych.
Check out the installation view below it to see how it looks on the gallery wall!
It's called Impetus Indefinitely Renewed (check out this previous post to see the story behind the title).
The small (9"x9") paintings are called Palimpsests, and they are sort of the offspring of the central piece, which is in the process of spawning more palimpsests.
It's about the endless cycle of renewal in art, and the inevitable course or growth and evolution. Fun, huh?
Check out this post if you want to see the six palimpsests in utero.

If you're wondering why the images of the smaller pieces look so much better, it's because they're from the digital scanners at school, while the photos of the larger piece are from my very vintage camera. If anyone has access to a giant digital scanner and they want to let me use it, let me know!

This work is on display 'til Saturday, along with some absolutely amazing thesis work from all my fellow Daapers. Go check it out!

New Art! (It's taking over my entire house)

I just thought I would share the reasons why I haven't made a lot of posts lately; this is about one third of what I've churned out over the last three weeks. The "Palimpsests" for my thesis show will likely be chosen from among these:

I started this one months ago; it's been languishing in a pile of rejects until last week. I love when a reject becomes a success!

This was another reject; it is the sibling of the one above.

 I don't know it I've mentioned that I do these in sets of 2, 3, or 4; I consider the sets "siblings" or "cousins." They share the same genetic background, artistically speaking. They often begin as prints of one another, made through a self-devised monoprinting process. Fun!

My first experiment with adding silver pigment to the ink. I was hesitant to try it, afraid that it would look like a gimmick, But I like it!

I don't think this one is done yet, but I'm not sure what the next mutation will be. I think it will need to languish in a pile of rejects for a while.

This one is the sibling of the one above it. Also not quite ready... I need to neglect it for a while.

More silver pigment; also, my first on a square instead of a rectangle.

Sibling of the one above it. I have since switched to square for my preferred format. Compositionally, it's a lot more challenging, but I like it anyway.

The zygote of this one is from last December. I love it's evolution.

This is the cousin of the one above it. They began together, but diverged too far apart to remain siblings.

Part coral reef, part diseased internal organ, part Hubble telescope image.

This is the sibling of the one above it. Diseased liver, anyone? Mmmm.

Jellyfish-skull-eruption thingy; I love the colors.

The unfinished cousin of the one above it.

This is the first of three juicy little paintings. I might cut them down into squares (from 9x12 to 9x9) and include them in my thesis show.

The one unfinished sibling of the three. I'm afraid to touch it right now.

My favorite of the three. The ink is so rich and glossy on the vellum, which the scanned images don't really convey.

 Below, I have a bit of an octo-mom situation. All 8 of these are siblings, begun and evolving concurrently. They are all 9x9, already perfect for my ideal layout for the thesis show.

Might be my least favorite of the family. Red-headed step-child?

Maybe my favorite of this family? Not sure yet

This one looks like an alien embryo grasping its over-sized skull.

So, here's a little verse I wrote for my thesis paper. I wrote it in the midst of complete exhaustion and frustration, at 2 in the morning, so forgive me if it seems a bit maudlin. I based part of my artist statement on it (see my last post), so hopefully it's not completely awful:

if my art is an expression of my inner somethings

if it is a reflection of my joys and pains

my anxieties and satisfactions

my angers and my wisdoms

my foolishness and my triumphs

if my art is to be all of this

then it will be unrecognizable

it will appear alien

it will be everything to me and nothing to everyone else

it will be empty and full

it will be tiny and vast

it will be thorns, it will be petals

it will be blood and bone:

parasitic little tumors

cancerous little beasts

anomalies, events, curiosities

malevolent and beautiful

resplendent and repulsive

both the crime and the witness

blossoming then blooming

melting but frozen

liquefying, solidifying

in flux

but petrified, suspended

a supernova in its own tiny universe

a cyst, a growth

neither plant, nor animal, nor mineral

but an amalgamation of the three

I used to write poetry a lot when I was a kid. It's hard to write a good poem; I think I stopped writing them because I was afraid of failure. For me, good wasn't enough- unless I felt I could achieve perfection, I didn't bother. I mean, my poems were good for an eighth grader, but not compared to what I was studying in school at the time. It's a strange combination of cowardice and vanity that stops us from trying something which will likely result in failure.

So, for me, the thesis verse represents re-gaining my courage, hopefully with the humility to recognize that I will most likely fail, most of the time. Speaking of which...

 I need to get back to work!

This is the Art of a Crazy Person

This quarter I am in the ridiculous situation of being an about-to-graduate senior taking not one, but two freshman-level classes. These are required for me to graduate; as a transfer student, I didn't realize I had to take them until last spring.
I don't hate these classes. I have been taking the lecture seminars all year and they have been relatively easy, fun, and even sometimes enlightening.
This quarter, I am also taking a foundations studio class, called Time Studio. (It's the final in the series, after Surface and Space Studios; I didn't have to take those.)

Our first assignment involved finding an iconic historical image (album cover, photograph, news image, painting, etc.) and recreate it by photographing ourselves in place of the original figures. We had to build any necessary costumes, props, and stage sets, and then combine our images within Photoshop to recreate the original image as closely as possible. The catch is that we have to be every character in the image, and we have to appear more than once.
We had about a week to do this. (Yikes. I am severely lacking in Photoshop skills.)

I chose, after much deliberation, Manet's A Bar at the Folies-Bergere, originally painted in 1882.
(If you want to listen to a fascinating theoretical analysis about this painting, check out this video from ArtRev.com.)

Manet's Bar at the Folies-Bergere, 1882. I've never seen it in person; it's permanent home is in London. But I recently saw some lovely Manets in New York, at the Metropolitan Museum of Art.  Awesome.

 I was torn for a while between doing a faithful, accurate recreation OR doing a personal/autobiographical modern interpretation. I ended up with a hybrid.

I painted this background with ink on vellum. I am determined to relate this foundational work to my thesis work, no matter how tenuous the connection. In this case, I decided to use the techniques I have been developing in my advanced studios to create this background. It is by far the largest painting I have made with ink on vellum; it is about eight feet long and three feet high.

Here it is. What should I call it? It may be too ridiculous to title. I do kind of love it- it's hanging on my fridge.

The only part that I stole from the original is the top hat on the anonymous "gentleman."
The only thing I stole from Google Images was Burt Reynold's mustache. Everything else was something I found around the house or created myself. I created the marble finish of the bar by smearing graphite powder onto a large sheet of vellum- it looked pretty dumb in person, but it looks good in the final image.
I had to use Twinkies in place of the Mandarin oranges (lovelovelove) and I used beer instead of champagne. The whiskey bottle has iced tea in it- whiskey doesn't usually last long in my house. Crown Royal is a sentimental favorite; there was another bottle, but it was cropped out.

Stuff that I learned from this project:
I am not used to these short term projects with specific parameters. I was sort of dreading it, but now I realize how much I've been missing these types of assignments; I forgot that they could be fun.
If I had more time, I would have found a way to use a picture of my great-grandmother's locket in place of the barmaid's cameo. I also would have liked to use fresh flowers from my own yard, instead of the fake ones I used; unfortunately, everything in my yard is about to bloom or did weeks ago. Lastly, I never addressed the feet of the trapeze artist, which are visible in the upper left hand corner of Manet's painting. I could have photographed my own feet in green socks. I also considered replacing the feet with an image of a tiny bird on a perch which I sculpted a couple of years ago. I liked the idea of comparing Manet's barmaid to a bird in a cage. Sigh- if my Photoshop skills were better, I would have had time to fix these little details.

Next we have to re-interpret a piece of found trash into a mixed-media sculpture, using digital media. I think it's supposed to be about absurdity. FUN!

my art in The Real World

SPRING BREAK:
I spent my lovely, fleeting, precious spring break cooped up indoors like a madwoman, taping up new work all over the house and spreading art supplies all over the dining room. Why? Because my friend Cole is opening a new restaurant in Lexington, and he asked me to provide some art for the walls in time for the opening (which is officially THIS MONDAY!) I visited the restaurant first, to show some of my old work to Cole and his mom (the decorator) and to see what kind of space I had to fill. I decided that I needed to do all new work (of course.)
I made new work in the same style, with the same techniques and materials as my recent work,  but I let myself just follow my instincts and make pretty pictures, instead of obsessing about my thesis.
PLANNING TO INSTALL:
I decided that plexiglass wasn't working for me, mostly because it is nearly as expensive as real glass. I called around and found a place that would cut glass to custom sizes, have my order ready in less than 24 hours, and not charge me an arm and a leg. I also made my own labels for the first time, with the titles (which I have lots of doubts about) and the prices (more on that later.) I bought hardware for hanging, which mostly involved mirror clips, and packed up my toolbox with everything I thought I might need: power tools, measuring tools, tape, all that fun stuff.
THE INSTALLATION:
Ugh- took twice as many trips to Lexington as I planned, and about three times as many hours as I thought it would. The lighting was good already, so I didn't have to worry about that, but there were permanent frames already attached to the walls, which made measuring kind of a challenge. I put my laser level to work a lot.
The walls were old, with plaster over brick, so they were hard to drill into and were not exactly flat. The dining room was already decorated with lovely pillows and cushions, so I had to be really careful about making a mess with all my dust. Once I had the measurements done, and the holes drilled, I definitely needed help actually hanging the pieces. The glass is way heavier than plexiglass, and without help I probably would have broken half the work (thankyouthankyouthankyou Mr.Turnbull.)
WHAT I LEARNED:
Installation takes way longer than you think it will. There will be problems. It is work.
When pricing your work, DO NOT forget cost of shipping (or in this case, gas money) or the hours spent installing, deinstalling, and all that stuff. I did not remember these factors; I wanted to put low prices on everything, (they ranged from $40 to $150), but by the time I added up all costs involved, I'll make about fourteen cents an hour if everything sells (which is about fourteen cents more per hour than I've ever made before from art, so I should stop complaining, right?)
THE BEST PART:
By far, the best part was cleaning up after I was done, looking up, and realizing that it looked good. I would have chalked up this reaction to exhaustion and relief, but everyone else seemed to like it too (they were all pretty exhausted too... so who knows, really.)
OKAY, OKAY, HERE'S SOME PICS:

Asteroid #1, 9x12

Asteroid #2, 9x12

Primordial Asteroid, 9x12

The three above are the smallest, each priced at forty bucks. A bargain!

The three above are all 9x12, but they are framed together behind the same piece of glass, as a set titled Amalgamations X, Y, and Z. Another bargain at $105 for the set.

The two above are titled Early Spring, # 1 and #2. It sounds corny, I know, but I was inspired by the early spring here in Cincinnati; it's my very favorite time of the year. They are each $85 (and they are both 14x17).

These two are titled Dawn #1 and Dawn #2, each are 14x17, and $85. These might be my favorites.

There are more, but I don't have good images of them because they are too big for the scanners. They are each 9x36. If I get a good photo of them, I'll post them.

Here's some pictures of the restaurant after the installation. Sorry about the terrible quality of my photos- the sun was starting to go down, and I couldn't use the flash without really weird reflections off the glass.

So... if you find yourself in Lexington, and you need a delicious dinner and you want to see some art, visit Coles 735 Main.

I'd call this a breakthrough, but I don't want to jinx it...

So, over the last few weeks I
1. made 3-d work that has potential, and that I loved making
2. made 2-d work that has potential, and that I loved making

Great, right? But I have a senior show coming up in 1 week, and I wanted to put all-new 2-d and 3-d work in it, and, although my work was related inside my head, it was not related visually.

I think these new pieces are closing in on what I need:

I found a brush tip marker that I filled with alcohol, which allowed me to make deliberate marks and have more control. The curvy, thorny shapes of the brushwork are similar to the shapes in my new sculpture.
I have no images of the sculpture yet, but I think I thought of an interesting way to bring it closer to my thesis AND closer to my 2-d work.

I'm also working on finding titles for these pieces, and how to mount them on the gallery wall.
Stay tuned!
 P.S.  If anyone had any title ideas they would like to share with me, please let me know! I'm keeping my mind open to new ideas for as long as possible...